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finished

picture in

oils;

whilst the

subjective

style is

not much

more

certain in

its

working

than spots

on the

wall,

which look

like

figures

only to

one whose

phantasy

has been

accidentally

aroused by

them;

other

people see

nothing

but spots

and blurs.

The

difference

in

question

applies to

literary

method as

a whole;

but it is

often

established

also in

particular

instances.

For

example,

in a

recently

published

5Translator’s

Note. — In